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      <image:title>Issue 66 Table of Contents - A Sense of Wholeness: An Interview with Kai Carlson-Wee</image:title>
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      <image:title>Issue 66 Table of Contents - A Sense of Wholeness: An Interview with Kai Carlson-Wee</image:title>
      <image:caption>Portrait of Kai Carlson-Wee by John Haynes</image:caption>
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      <image:title>Issue 66 Table of Contents - A Sense of Wholeness: An Interview with Kai Carlson-Wee</image:title>
      <image:caption>First-person POV shot fo the Carlson-Wee looking down at his feet. The photo is in black and white/ He’s wearing jeans and tennis shows. His feet hang over a platform (it looks to be a wooden train platform).</image:caption>
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      <image:title>Issue 66 Table of Contents - A Sense of Wholeness: An Interview with Kai Carlson-Wee</image:title>
      <image:caption>Photograph of the author standing in front of a landscape. To his left, in the background, there are pine trees. And to his right, mountains. He is wearing dark shorts, a white shirt, and a puffy jacket. He also has black ankle socks on. The photo was taken in black and white.</image:caption>
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    <lastmod>2020-03-04</lastmod>
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  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc</loc>
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    <lastmod>2021-12-14</lastmod>
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      <image:title>Issue 68: Table of Contents</image:title>
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  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/68artwork</loc>
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    <lastmod>2022-03-15</lastmod>
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  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/s-s-whitaker</loc>
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    <lastmod>2023-10-30</lastmod>
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      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Stephen Scott Whitaker is a member of the National Book Critics Circle and the co-editor of The Broadkill Review. A teaching artist with the Virginia Commission for the Arts, an educator, and a grant writer, Whitaker’s poems have appeared in Fourteen Hills, The Shore, Crab Creek Review, The Citron Review, and other journals. Mulch, a novel of weird fiction is forthcoming from Montag Press in 2021. Find Whitaker on Twitter @SScottWhitaker.</image:caption>
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  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/ariana-benson</loc>
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    <lastmod>2021-12-14</lastmod>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1618270575931-3CFY5Z587TBBAHGV6FTW/Ariana+Benson+PBPF+Headshot.JPG</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Ariana Benson is a poet-storyteller from Chesapeake, Virginia. She received the 2021 Graybeal-Gowen prize and was a finalist for the 2020 Auburn Witness Poetry Prize. Her poems can be found in ANOMALY, Lunch Ticket, Southern Humanities Review and Auburn Avenue, where she serves as Nonfiction Editor, and are forthcoming in West Branch, Shenandoah and an upcoming Diode Editions Anthology. Through her writing, she strives to fashion vignettes of Blackness that speak to its infinite depth and richness.</image:caption>
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  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/r-edelman</loc>
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    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619477188266-WIEYP75D2YRSVQIBQZDC/Screen+Shot+2021-04-26+at+5.46.02+PM.png</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619480752469-0FRFJSPCBFQ995HENG6R/IMG_2680.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Rachel Edelman is a Jewish poet raised in Memphis, Tennessee. A finalist for the 2020 National Poetry Series, she has published work in The Threepenny Review, Wildness, Poetry Northwest, and elsewhere. She holds an MFA in poetry from the University of Washington and a BA in English and geology from Amherst College. She teaches high school English in Seattle.</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/donte-collins</loc>
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    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1618334890582-KN22ND60WS5GVOYHI2K0/dontecollins.png</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Donte Collins is held. Black. Adopted. Queer. A surrealist blues poet haunted by the 1960’s Black Arts Movement. Named the inaugural Youth Poet Laureate of Saint Paul, Minnesota, they are a McKnight Artist Fellowship recipient for Spoken Word administered by the Loft Literary Center and winner of the Most Promising Young Poet Award from the Academy of American Poets. They are the author of the poetry collection Autopsy (Button Poetry, 2017), a finalist for a Minnesota Book Award. Collins is the recipient of the Mitchell Prize in Poetry from Augsburg University and is currently the program director of Black Table Arts, a community-driven arts cooperative located in Minneapolis, Minnesota, gathering Black communities through the arts toward better Black futures.</image:caption>
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  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/a-hebert</loc>
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    <lastmod>2021-11-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1618272580952-MFUJ3BU7LO1R2COIBONM/Arielle+Hebert_photo+by+Alex+Proenza.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Arielle Hebert is a queer poet based in Durham, North Carolina. She holds an M.F.A in poetry from North Carolina State University. Her work has appeared or is forthcoming in Nimrod Journal, Willow Springs, Grist, and Redivider, among others. She won the 2020 Claire Keyes Poetry Prize judged by Erika Meitner and the 2019 North Carolina State University Poetry Contest judged by Ada Limón. Arielle believes in ghosts and magic. www.ariellehebert.com</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/s-elkamel</loc>
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    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619492832396-9ZA5NYZ5SK2EBHIJWVYY/Sara+Elkamel_Photo+Courtesy-Sima+Diab.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Sara Elkamel is an Egyptian poet and journalist living between her hometown, Cairo, and New York City. She holds an MA in arts journalism from Columbia University, and is an MFA candidate in poetry at New York University. Elkamel's poems have appeared in The Common, Michigan Quarterly Review, Four Way Review, The Cincinnati Review, The Los Angeles Review, and as part of the anthologies Best New Poets and Best of the Net, among other publications. She was named a 2020 Gregory Djanikian Scholar by The Adroit Journal, and a finalist in Narrative Magazine's 30 Below Contest in the same year. She is the author of the chapbook Field of No Justice (African Poetry Book Fund &amp; Akashic Books, 2021). Portrait of the author by Sima Diab.</image:caption>
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  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/pardeep-toor</loc>
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    <priority>0.5</priority>
    <lastmod>2022-01-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/33a9cef9-6cc3-4d11-90f9-b55f69be8495/Screen+Shot+2021-11-08+at+6.59.05+PM-min.png</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Pardeep Toor grew up in Brampton, Ontario and currently lives in Las Cruces, NM. His writing has appeared in the Best Debut Short Stories 2021: The PEN America Dau Prize, Electric Literature, Midwest Review, and is forthcoming in Southern Humanities Review.</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/d-lassell</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619479602416-384QWU5VVGZIP9CHD1JG/Daniel_Lassell.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Daniel Lassell is the author of Spit (Michigan State University Press, 2021), winner of the 2020 Wheelbarrow Books Emerging Poetry Prize selected by G. Calvocoressi, as well as a chapbook, Ad Spot (Ethel Zine &amp; Micro Press, 2021). His recent poetry appears in the Southern Humanities Review, River Styx, Birmingham Poetry Review, The Pinch, and Prairie Schooner. Growing up, he raised llamas and alpacas on a farm in Kentucky. Today, he lives with his family in Colorado. Visit his website at www.daniel-lassell.com.</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/kevin-hu</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1618796526861-55S93N9Y5JXHXOD7OQ1E/Kevin+Hu.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Kevin Hu is a writer based out of Brooklyn, NY. His writing has previously appeared in the Asian Americans Writer Workshop, Inheritance Magazine, and the Lit Hub, amongst others.</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/cmarie-fuhrman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/f6289229-989b-43d8-93ff-3be8d053d481/126944176_4024337607600710_4906512913785729628_n.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>CMarie Fuhrman is the author of Camped Beneath the Dam: Poems (Floodgate 2020) and co-editor of Native Voices (Tupelo 2019). She has published poetry and nonfiction in multiple journals including Emergence Magazine, Yellow Medicine Review, Cutthroat a Journal of the Arts, Whitefish Review, Broadsided Press, Taos International Journal of Poetry and Art, as well as several anthologies. CMarie is a regular columnist for the Inlander, the Translations Editor for Broadsided Press, Non Fiction Editor for High Desert Journal, and Director of the Elk River Writers Conference. She resides in the mountains of West Central Idaho.</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/andrew-romriell</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/05b9901a-47ef-4366-aba6-1f6e098bddaf/6ec90573-fb74-4c35-91b0-1044c689770c.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Andrew Romriell is a writer and master's candidate in Creative Writing at Utah State University. His work has been published in various journals such as South 85, Tinge Magazine, Mangrove Journal, and in Beyond Words' recent LGBTQ anthology. In Sink Hollow's 2020 Creative Writing Competition, he earned first place in creative nonfiction and art, second place in fiction, and third place in poetry. He has also earned second place and an honorary mention for creative nonfiction in Utah’s Original Writing Contest. He currently lives in Logan, Utah, where he enjoys writing, reading, teaching, and long walks around the city.</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/timothy-otte</loc>
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    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/76f03360-5270-4ad7-83f8-d45b03feb204/Screen+Shot+2021-11-08+at+7.16.24+PM.png</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Timothy Otte is the author of the chapbook Rebound, Restart, Renew, Rebuild, Rejoice (Lithic Press, 2019). He writes a newsletter called Stanza Break about poetry in translation and books outside of a publicity cycle. Otte's work has been supported by grants and fellowships from the Loft Literary Center Mentor Series and the Minnesota State Arts Board. He is a mentor with the Minnesota Prison Writing Workshop and is a book worker and bartender. Otte is from and lives in Minneapolis, Minnesota. Say his last name like body.</image:caption>
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  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/purvai-aranya</loc>
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    <lastmod>2021-11-09</lastmod>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/b1a520ee-3418-4034-b66a-5f9bd31bcf8d/s229oif2_400x400.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Purvai Aranya is an artist &amp; writer from India, with an MFA in Creative Writing from the University of Minnesota. You can find her poetry &amp; prose online at Vayavya, The Bombay Literary Review, &amp; The Indian Quarterly.</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/jessica-franken</loc>
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    <lastmod>2021-11-09</lastmod>
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      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Jessica Franken is an essayist and poet living in Minneapolis. Her work is published or forthcoming in River Teeth, Creative Nonfiction Sunday Short Reads, phoebe, under the gum tree, The Cincinnati Review MiCRo Series, Complete Sentence, and elsewhere. Website: jessicafranken.com</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/lucien-darjeun-meadows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619483210678-74KTPHT6VVQWSD9AX4JE/Screen+Shot+2021-04-26+at+7.26.42+PM.png</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Lucien Darjeun Meadows is an English, German, and Cherokee writer born and raised in the Appalachian Mountains of what is now Virginia and West Virginia. An AWP Intro Journals Project winner, he has received nominations for Best New Poets and the Pushcart Prize. Lucien has received fellowships and awards from the Academy of American Poets, American Alliance of Museums, Bread Loaf Conferences, Colorado Creative Industries, Goucher College, Kratz Center for Creative Writing, National Association for Interpretation, Southern Illinois University, and University of Denver, where he is working toward his PhD. His work has been widely published, including recent features in the American Journal of Nursing, Appalachian Heritage, Beloit Poetry Journal, Ecotone, Hayden’s Ferry Review, The Journal, Narrative, Pleiades, Poetry Daily, Shenandoah, and West Branch. He has contributed to several anthologies, including A Literary Field Guide to Southern Appalachia (University of Georgia Press) and LGBTIQ Poets on the Art of Teaching (Sibling Rivalry Press), a Lambda Literary Award finalist. Lucien currently teaches at the University of Denver, serves as the Prose Editor for Denver Quarterly and Poetry Editor for The Hopper, and lives, writes, and runs in Northern Colorado.</image:caption>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/p-vangani</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619499567371-611M63PWZQSBX4LTGLJI/Vangani_Headshot.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Preeti Vangani is a poet &amp; personal essayist. She is the author of Mother Tongue Apologize (RLFPA Editions), her first book of poems (winner of RL India Poetry Prize). Her work has been published in BOAAT, Gulf Coast, and Threepenny Review, among other journals. She is the Poetry Editor for Glass, a Poet Mentor at Youth Speaks, and holds an MFA (Writing) from University of San Francisco.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/jo-o-lone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:title>Issue 68: Table of Contents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1636430892735-0U6613TW80LSDT981L4O/jo+o-lone+hahn-4_page-0004.jpg</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1636430893126-0J39IXGVXHZJ5DMM8QN6/jo+o-lone+hahn-4_page-0005.jpg</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1636430893237-H0YCRX32Z9CN4AACMACR/jo+o-lone+hahn-4_page-0006.jpg</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1636430893637-DHK22V119QRHGEDBMTRJ/jo+o-lone+hahn-4_page-0007.jpg</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1636430893761-1ZSRYWO3QL159RVDD7Z8/jo+o-lone+hahn-4_page-0008.jpg</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1636430894196-0BC3SFMN9IOFB4AWHHKB/jo+o-lone+hahn-4_page-0009.jpg</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/2e8d031d-8044-4609-9c12-102b784b2996/10308231-558438760973150-6796763306300949997-n.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Jo O’Lone Hahn is a poet and visual artist based in Las Vegas. She is a current MFA candidate in poetry at the University of Nevada, Las Vegas. Her work can be found in the Boston Hassle, Departure, The Reader,  BAG Magazine, and HASH Journal. She is the managing editor of Interim: A Journal of Contemporary Poetry and Poetics.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/morgan-graham</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/fe781bec-29c4-4dcf-8836-3fd744411f6f/k_SA7F6e_400x400.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Morgan Graham is an English Ph.D. student at the University of Minnesota. Her research focuses on nineteenth-century letters, life writing, women’s writing, and the novel. Graham is Associate Managing Editor at Pleiades: Literature in Context.  You can read her work in Perspectives on Undergraduate Research and Mentoring, Colorado Review, Chicago Review of Books, &amp; Salt Hill Journal.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/j-bailey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619481442328-7DWMU1HV4EJW2C9M25DB/bailey-on-illness.png</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619482415162-QJN0JQT0DVVV60RR255G/author-photo-2.png</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Jake Bailey is a schiZotypal experientialist and host of "Poetry and Pot." He has published or forthcoming work in Abstract Magazine, The American Journal of Poetry, Constellations, Diode Poetry Journal, Frontier Poetry, Guesthouse, Mid-American Review, Palette Poetry, PANK Magazine, Passages North, Storm Cellar, TAB: The Journal of Poetry &amp; Poetics, Tar River Poetry, and elsewhere. Jake received his MA from Northwest Missouri State University and his MFA from Antioch University, Los Angeles. He is a Best of the Net and Pushcart nominated poet who was a semifinalist for the George Bennett Fellowship. Jake is a former editor for Lunch Ticket, current reader for Grist, and lives in Illinois with his wife and their three dogs. You can find him on Twitter and Instagram @SaintJakeowitz and at saintjakeowitz.xyz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/p-davis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619479229224-K5NIFTH7FYI7L1O5VWWD/Patrick.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Patrick Davis is a poet and essayist. His work has previously appeared in Provincetown Arts, and he has ghost-written five books for major publishing houses. He conducted his graduate research in American literature at Washington University in St. Louis under the mentorship of William H. Gass. He and his husband live in Atlanta with a bulldog named Ox.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/joseph-holt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/4e311d32-6a1d-479e-a84f-3981e4e64c95/holt%2Bmugshot.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Joseph Holt is author of the story collection Golden Heart Parade. He grew up in South Dakota and graduated from the Center for Writers at the University of Southern Mississippi. Holt has taught at Catapult, the American College of Norway, the University of Minnesota and elsewhere. He now serves on the MFA faculty at the University of Alaska Fairbanks. His writing has appeared in The Sun, The Saturday Evening Post, Prairie Schooner and elsewhere, and has received an AWP Intro Journals Award.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/g-kovalenko</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619492419354-73GO4CNM0N6Z3AY53FVZ/7BFDD62B-5EEA-4E38-BABC-BDE706CF6DAC_1_105_c.jpeg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>George Kovalenko is a poet whose work has appeared in Colorado Review, Crazyhorse, The Cincinnati Review, Ninth Letter, Yalobusha Review, and elsewhere. He has received support from the Saltonstall Foundation for the Arts, holds an MFA from New York University, and is a PhD student at the University of Denver. An Associate Editor for Tupelo Quarterly, he lives in Denver.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/julian-robles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/04fecc6f-7feb-43e1-b32b-239b733ca342/R1-00502-026A.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Julian Robles is a writer from California.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/chelsea-christine-hill</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/c19bd09e-431b-462d-9183-6b312cc8283c/dept+photo+hill.jpeg.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Chelsea Christine Hill is an MFA candidate in poetry and graduate fellow at the University of Illinois, where she reads for Ninth Letter. A native of Houston, TX, she currently lives in Champaign, IL.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/j-mallari</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619490285004-KSUDUAB9010K8G1F9OSX/88109469_3192859330726351_1229811310514929664_n.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Joanne Mallari holds an MFA from the University of Nevada, Reno, and she served as the 2019 Nevada Humanities Poet in Residence. Her debut chapbook, Daughter Tongue, is available from Kelsay Books.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/steve-blythe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/9b9b937a-d153-4f72-bf04-41a18330bf18/59644336_2923457600999564_570864276772749312_n.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Steven Blythe received his degrees in Creative Writing and Philosophy from Georgia State University in 1998. He has been published in literary journals in the U.S. and abroad. He retired from the U.S. Coast Guard in 2009 after deployments to Antarctica, Umm Qasr, and Haiti. He is an MFA candidate at the University of Minnesota.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/r-lorga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619476769739-76BRJGWQRC7EJXBD3DQ7/Romana+Iorga.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Originally from Chisinau, Moldova, Romana Lorga lives in Switzerland. She is the author of two poetry collections in Romanian. Her work in English has appeared or is forthcoming in various journals, including New England Review, Gulf Coast, Redivider, as well as on her poetry blog at clayandbranches.com.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/phu-kradart</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/b9d74839-adb5-4516-b1cc-57681f78421f/IMG_0531.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Phu Kradart was born and raised in the Isan region of Thailand, Thanat Thammakaew, who also goes by the pen name Phu Kradart, is the author of two volumes of short stories, Like a Body Without Organs [ดั่งเรือนร่างไร้องคาพยพ] (2015), shortlisted for Southeast Asia’s most prestigious literary prize, the SEA Write Award, in 2017, and Hour Before the March [ชั่วโมงก่อนพิธีสวนสนาม] (2016); the poetry collection Remains To Be Seen [ไม่ปรากฏ] (2013); the novel Exile [เนรเทศ] (2014) shortlisted for SEA Write Award 2015; and the recently published epic novel 24/7-11 (2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/4403d870-815a-4e3d-8bb9-de8835430b89/Palin+photo.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the translator</image:title>
      <image:caption>Palin Ansusinha translates, writes and researches contemporary culture and politics with a special interest in literature, art and performance. She works at soi literary, which is a part of ซอย | soi, a bilingual platform run by a new generation of Thai editors, writers and translators based in Bangkok, Thailand. She is currently working on the English translation of Uthis Haemamool's 2015 novel จุติ or The Fabulist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/a763e64f-8250-407e-b89c-225a73cbb983/Ron+Edwards+photo.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the interviewer</image:title>
      <image:caption>Ron Edwards is a fiction writer and reformed copywriter. Or perhaps more accurately, he’s now dedicated himself to writing a different kind of fiction than he did in his previous career. He has recently traded the tropics of Thailand (where he’s lived for 17 years) for the frozen beauty of Minnesota. He considers his current trips back and forth between these two homes as an alternating steamy sauna and ice plunge—in extreme slow motion.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/leanna-petronella</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/39025498-c721-4a3a-ae4d-141a7b26e5cf/unnamed-4-768x513.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Leanna Petronella’s debut poetry collection, The Imaginary Age, won the 2018 Pleiades Press Editors Prize. Her poetry appears in Beloit Poetry Journal, Third Coast, Birmingham Poetry Review, CutBank, Quarterly West, and other publications. She holds a Ph.D. in English-Creative Writing from the University of Missouri and an M.F.A. from Michener Center at the University of Texas. She lives in Austin, Texas.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/will-farg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/2bb0508d-43dc-4045-b982-5684e386af78/mg_6534%400.5x.jpg</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>William Fargason is the author of Love Song to the Demon-Possessed Pigs of Gadara (University of Iowa Press, 2020), winner of the 2019 Iowa Poetry Prize and the 2020 Florida Book Award in Poetry (Gold Medal). His poetry has appeared in The Threepenny Review, Prairie Schooner, New England Review, Barrow Street, Indiana Review, The Cincinnati Review, Narrative, and elsewhere. His nonfiction has appeared in Brevity and The Offing. He received two awards from the Academy of American Poets, a scholarship to Bread Loaf Writers’ Conference, and a 2018-2019 Kingsbury Fellowship. He earned a BA in English from Auburn University, an MFA in poetry from the University of Maryland, and a PhD in poetry from Florida State University, where he taught creative writing. He is the poetry editor of Split Lip Magazine. He lives with himself in Sparks Glencoe, Maryland.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/m-k-diggs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619499247625-81DGRT7Y0SB4IWPM9DRK/Screen+Shot+2021-04-26+at+11.53.47+PM.png</image:loc>
      <image:title>Issue 68: Table of Contents</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c76d219e5f7d146504a1dd4/1619498906171-A2CLITBOWHQRYYMFDRXD/Screen+Shot+2021-04-26+at+11.46.58+PM.png</image:loc>
      <image:title>Issue 68: Table of Contents - About the author</image:title>
      <image:caption>Michael Kleber-Diggs is a poet, essayist, and literary critic. His debut poetry collection, Worldly Things, won the Max Ritvo Poetry Prize and was published by Milkweed Editions in 2021. Michael’s writing appears or is forthcoming in Sleet Magazine, Poem-a-Day, Poetry Northwest, Potomac Review, Hunger Mountain, Memorious, Rain Taxi, and a few anthologies. Michael is a past Fellow with the Givens Foundation for African American Literature and a past-winner of the Loft Mentor Series in Poetry. His work has been nominated for a Pushcart Prize and Best of the Net. It has also been supported by the Minnesota State Arts Board and the Jerome Foundation. Michael is married to Karen Kleber-Diggs. Karen and Michael have a daughter who is pursuing a B.F.A. in Dance Performance at SUNY Purchase.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/category/NONFICTION</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/category/BOOK+REVIEW</loc>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/category/WINNER</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/category/INTERVIEW</loc>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/category/POETRY</loc>
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  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/category/FICTION</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.greatriverreview.com/issue-68-toc/category/RUNNER+UP</loc>
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      <image:caption>No. 34. From Bluffs at Merrimac, Minnesota Looking Down Stream, Cyanograph Photograph, 1885 Henry P. Bosse American, born Germany. This photo shows a white blanket of snow over a river. Trees surround the snow river on top and bottom, creating a strong contrast of dark cyan and white.</image:caption>
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